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Rockferry | 
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| Artist: Duffy Label: Mercury Category: Music
List Price: $13.98 Buy New: $8.03 You Save: $5.95 (43%)
New (41) Used (5) from $8.03
Rating: 96 reviews Sales Rank: 4
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.5 x 4.9 x 0.5
MPN: 001082202 UPC: 602517629769 EAN: 0602517629769 ASIN: B0014I4KIK
Release Date: May 13, 2008 Availability: Usually ships in 1-2 business days Shipping: International shipping available Condition: BRAND NEW sealed shipped daily. International Shipping via Air Mail.
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| Tracks:
| • | Rockferry | | • | Warwick Avenue | | • | Serious | | • | Stepping Stone | | • | Syrup & Honey | | • | Hanging On Too Long | | • | Mercy | | • | Delayed Devotion | | • | Scared | | • | Distant Dreamer |
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| Editorial Reviews:
Amazon.co.uk Rockferry, the Welsh singer's lovingly constructed debut album, has already succeeded beyond expectations, and although Duffy may not quite be the ingenue portrayed by a clever press campaign (she nearly won a local television talent show a few years back while a single credited to Aimee Duffy is still available on iTunes) she is surely the most appealing of the current flood of young soul sirens. The astonishing title track, co-written by Bernard Butler, sounded like a lost transmission that had taken decades to get through as soon as it hit radio last year. But the gently rolling soul ballad "Stepping Stone", that strapping, inescapable monster hit "Mercy", the ice cool "Serious" (the one time she really does channel the spirit of Dusty Springfield) and the wistful, elegant "Warwick Avenue" are similarly effective. Suggestions by some that Rockferry is little more than sixties pastiche are churlish. Butler's previous work with David McAlmont (featured here as a backing singer) showed his skill at writing and arranging the dramatic, while her other collaborators such as Steve Booker and the team of Jimmy Hogarth and Eg White are hardly lightweights. But despite some wonderful orchestral settings, it's Duffy's terrific voice that makes this so satisfying, even overpowering Butler's exquisitely underplayed guitar work on "Rockferry" itself. Growling the blues on "Syrup & Honey" or belting it out over his lovingly arranged wall of sound on "Distant Dreamer", she sets the tone throughout, several of her songs dealing with escape, both physical and romantic. The sound of someone singing herself to stardom, Rockferry is at times genuinely amazing. --Steve Jelbert
Album Description The most hotly anticipated album release of this New Year comes not from someone rammed into the collective consciousness by their media ubiquity. Duffy is an unknown quantity at this point, having performed but a small number of gigs, mostly in support of The Magic Numbers, and having only just begun to be seen on TV, most notably with recent appearances on Jools Holland's Later and New Year Hootenanny. Yet her soulful voice has already beguiled many of the nation's musical tastemakers and news of its beauty and of the strength of her songs is spreading by word of mouth even as you read these words. Radio One's Jo Whiley chose Duffy's title track and album taster `Rockferry' as her Single of the Week in late November, further adding to the momentum. Now, as the comparisons fly (Dusty Springfield has emerged as the favourite), it's time to discover her for yourself. Duffy was born and spent her childhood years in the north Wales coastal community of Nefyn, a place too remote to be driven by style wars or opposing music factions (the nearest record counter was a bus ride away and only stocked the Top 40). The upbringing she describes is one in which everyone had to rub along together, making do and mending, accepting each other and their tastes without prejudice. Having no CD collection of her own, her first real musical memory is of walking into the kitchen unannounced to find her mother and stepfather dancing to Rod Stewart. The first steps she took towards defining her own personal identity came when she borrowed one of her dad's VHS tapes of the `60s TV show `Ready, Steady, Go!'. "It had The Beatles, the Stones, the Walker Brothers, Sandie Shaw and Millie singing `My Boy Lollipop'. So sexy and exciting! I played it again and again until finally it disintegrated." Says former Suede guitarist and record producer Bernard Butler of this artlessness, "Duffy managed to grow up without any concept of what was cool or current, what she should or shouldn't like, how to behave or even how to sing. For her, coming to London at all was the stuff of fairytales." "And to come here to write songs with some random bloke who'd been recommended to her, me? It meant taking two buses and then two trains and took all day. Then she'd do the same in reverse to get home, playing the music she'd just made to old ladies she encountered on the journey. It's hard for cynical music industry types to get their heads around just how far removed she was from our world, geographically and in every other way. But what you've got as a result is someone who acts and sings completely and unselfconsciously from the heart. That's a rare and magical thing." Butler was introduced to Duffy by Rough Trade's Jeannette Lee who,in August 2004 and after hearing demos recorded in this or that mate's home, became the singer's mentor and manager. For Duffy, to have not just a friend but also point of both safety and reference in the strange new world she found herself in was crucial to her own musical development and sense of self. "People keep saying to me, `You've made a great record' but I can't take that in because I didn't do it on my own. Jeannette and I made `Rockferry' together and she's been with me every step of the way, broadening my horizons, introducing me to people I can trust." Butler was just one of them: having written the glorious, chorus-free, utterly hypnotic `Rockferry' together at the beginning of the project, they then worked on a further three of the ten tracks on what is already being talked about as 2008's most important debut release. Jimmy Hogarth & Steve Booker are the other collaborators on this classic-in-waiting. What can you expect to hear? The title track and album opener, as atmospheric, slow-building and idiosyncratic song as you could hope for, leads into a collection of original material that some might call retro in feel (those Dusty flavours, that girl group vibe) but which Duffy herself prefers to identify as classic. You'll find arrangements as sparsely effective as those against which Dionne Warwick told her Bacharach & David-wrought tales of heartbreak in the early 1960s. You'll find lush choruses and swooning hooks (as perfected by the late Miss Springfield and various distinguished others). But this is far from pastiche. What you'll find instead is irrefutable evidence of a significant new talent, and one that has developed in splendid isolation, not in reaction to market forces or the input of focus groups and industry experts. Duffy is the real, unspoiled original deal. "People keep asking me where my voice comes from and the fact is I don't know," says the brightest new star of 2008. "Why are your eyes the colour they are? It's no answer at all but it's the only one I have."
Album Description 2008 debut album from the Welsh singer/songwriter (not to be confused with Stephen Duffy, who released albums in the '90s under the name Duffy). Welsh songbird, Duffy, came to the attention of Rough Trade Management in 2004. Rough Trade pointed Duffy in the direction of guitarist/producer Bernard Butler (Suede/The Tears/McAlmont & Butler). Duffy spent the next couple years honing and developing her songwriting skills all the while discovering hidden musical gems that inspired her. The fruits of her intense labor is this magnificent album, a masterclass in mature, resonant Pop, 10 tracks including the first single `Mercy'. Polydor Records.
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| Customer Reviews: Read 91 more reviews...
Awesome music!!! July 4, 2008 I love this music!!!! I was addicted to Mercy from the moment I saw the video on VH1!! I ordered it from Amazon and I play it on and off all day long!! She's a beautiful and talented singer and I can't wait to hear more from her!!!! If you like soul, then you'll LOVE this!!!
The Black and White Of It July 4, 2008 Can a female singer sound black and white at the same time? The same question was asked in 1983, when Madonna appeared on the scene. Apparently that question can signal universality of appeal and longevity of career. It did for Madonna, and I think it could for Duffy, one of the latest of a recent astonishing parade of girl singers from the British Isles who sound like Billie Holiday with modern muscle.
Whereas Billie was generally portrayed as a victim, these new singers reveal the conflict between being someone's "lover" and their own "person". In "Rockferry", Duffy sounds like the ghost of a 60's singer who has risen up in 2008 to find that she feels perfectly at home. In this track we first hear her unique voice and style, girlishly innocent but carrying the weight of a woman's experience. Indeed, in "Syrup & Honey", she sounds like a predecessor of Janis Joplin, if you can imagine such a thing. Duffy presents her pain with dignity in "Warwick Avenue". Is the title a reference to Dionne? Might be, since the musical arrangement of "Stepping Stone" sounds very much like Dionne's "Walk On By". And in "I'm Scared", the victim shuts down completely. She mentions "...the blank pages of my diary...the closed blinds in my home...dust gathers on my stereo 'cause I can't bear to hear the radio." But her victimization isn't complete and final. In "Serious" she suspects that things aren't right and confronts her lover. In "Delayed Devotion", her love has turned to hate. She says it, and she's sure of it. And in "Mercy", she begs for release but sounds strong and in control at the same time. To find the equal of this, you'd have to go back to Aretha's early tracks, complete with obligatory backup singers.
Perhaps the conflict, the seeming paradox, is summed up in the final track, "Distant Dreamer". This one has the sound of the 60's girl-groups, with soaring melody and strings, even the "wall of sound" associated with producer Phil Spector. However, the singer of this song, far from being an accepting victim, is playing the part while wondering if she can be her own person instead of just someone's accessory.
great/fun dvd July 1, 2008 0 out of 1 found this review helpful
This is just a fun dvd and very relaxing! After listening to it a few times I have alot of new favorites.
I'M TRULY IMPRESSED July 1, 2008 0 out of 1 found this review helpful
What a great find. I've been playing this by the pool this summer and everybody loves it. The CD starts off with some great numbers but it really picks up as the CD plays on, like a good CD should. The last 3 or 4 songs are the albums strongest songs. Great voice, great songs and more than one person has asked if we are listening to Dusty Springfield, NOW THAT IS A COMPLIMENT. And on top of it all, we all say after listening for a while- Amy Winehouse WHO?
A Very Strong Debut June 29, 2008 1 out of 2 found this review helpful
The comparisons to Amy Winehouse are bound to turn up although while they are both retro singers, Amy is obviously the Bad Girl Shangri Las version of neo soul while Amiee Anne Duffy is the Good Girl.
Rockferry is one of the strongest debuts, heck album for that matter, I have come across in a long time. Her voice is compelling and her band is wonderful and matches her beautifully. From the somber piano on Rockferry to the lush rhythms in Serious and Syrup & Honey to the Wall Of Sound on Mercy, this is an effort from a lot of very talented people with Duffy leading the way.
As to the inevitable Winehouse comparisons I have to be honest and say that, in my opinion, none of these songs can touch You Know I'm No Good, BUT...this album as whole is far more consistent and has a much better flow than Back to Black or Frank and in many ways that makes is better as a whole for me.
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