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enlarge | Actor: Rowan Atkinson Studio: BBC Warner Category: DVD
List Price: $19.98 Buy New: $11.99 You Save: $7.99 (40%)
New (39) Used (11) from $11.30
Rating: 25 reviews Sales Rank: 10971
Format: Closed-captioned, Color, Dvd-video, Ntsc Language: English (Original Language) Rating: NR (Not Rated) Region: 1 Aspect Ratio: 1.33:1 Number Of Discs: 1 Running Time: 180 Minutes Shipping Weight (lbs): 0.2 Dimensions (in): 7.5 x 5.4 x 0.6
MPN: WARDE1559D ISBN: 0790760231 UPC: 794051155924 EAN: 9780790760230 ASIN: B00005A1ST
Release Date: June 26, 2001 Availability: Usually ships in 24 hours
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Showing reviews 6-10 of 25
I shall be known as... The Black Vegetable! May 30, 2008 R. Winkler (Worcester, MA) See Rowan Atkinson at the top of his game. This is the first chapter in the story of the Blackadder family. In this version, he's certainly a less witty character than in later versions, but still laugh-out-loud funny.
Rowan Atkinson is positively brilliant! November 24, 2007 Paul Dsouza (Seattle, WA) 6 out of 6 found this review helpful
I positively LOVE British comedy... Benny Hill, Fawlty Towers, `Allo `Allo, Mr. Bean, Monty Python, Mind Your Language etc. The best of these is Black Adder. Black Adder turns history upside down on its head. Forget whatever you learnt of the Tudors because you will have to re-learn it when you watch the "real history" of Black Adder. For those who are unfamiliar with this series, it may take you a while to understand the nuances and "read between the lines". But this ability to understand the humor will increase as you watch the series. A general underlying truth is that each episode gets funnier as you move forward in this series. Rowan Atkinson is positively brilliant! Honestly speaking, I think that his performance in this series is just head and shoulders above his comedy in Mr. Bean.
The beginnings of a comic icon August 23, 2007 Ted Zoldan (Los Angeles, CA, USA) 1 out of 1 found this review helpful
BLACKADDER ran four glorious series on the BBC, but the show took a dramatic change in format after this, the first series, and a change indisputably for the better, changing the character of Edmund Blackadder from a bitter, pretentious, self-serving, sniveling idiot to a bitter, pretentious, self-serving, saracastic jerk. The changes made were beneficial both to the series itself and to the performance of Rowan Atkinson. In later series, he would make , in his various incarnations, Edmund Blackadder (whether Lord, Butler, Captain, Royalist, Dickensian shop-owner or Time-Travellor) into a strangely likeable anti-hero dealing with people far below his intelligence level. It is not so here, and the series is weaker for it. The show takes place over a 13-year period in the 1480s, a reality in which Richard III (Peter Cook) was a beloved monarch and won the battle of Bosworth Field, only to be beheaded by an idiotic nobleman mistaking him for a horse thief. That nobleman is Prince Edmund the Black Adder (Atkinson), Duke of Edinborough and Warden of the Royal Privies, the weak-chinned son of the fictional King Richard the Fourth (Brian Blessed). Edmund is a blithering idiot with unrealistic expectations of ascending the throne, a man whose father doesn't even know he's alive and whose only allies are Lord Percy (Tim McInnerny), an aristocratic nitwit even more incompetent than himself, and Baldrick (Tony Robinson), a serf who's slightly cunning plans only rarely go right. Atkinson plays up the idiocy in a funny voice, a funnier hat and an even funnier haircut, whimpering and giggling like a schoolgirl when pleased and squeaking in terror when in mortal danger (which happens frequently). He has a nice way with a slow burn and the over-enunciated consonant, traits he would perfect as the character's descendants become more cynical. When taken in small doses, he can be hysterical, but watching all six episodes after the other, one becomes aware of how mannered the comedy is. Atkinson is lucky he has such an excellent supporting cast, or he'd be in trouble. As Baldrick, Robinson builds the foundation for the unassuming moron he would perfect in later series. This Baldrick is smarter than all of his descendants, though not by much, and Robinson's deadpan takes on the insanity that revolves around his master is priceless. As Percy, Tim McInnernry plays dumb so well it should be illegal, a look of blissful incomprehension stuck to his face to side-spliting effect. As the bloodthirsty King Richard IV, Blessed is keen to the parody of the Shakespeare hero his role entails, and his insane monarch is a highlight of the series. As Edmund's Goody-goody brother Harry, Robert East does much with little material, playing straight-man with an upper lip so stiff you could use it as a diving board. Elspet Grey provides a sense of airy class and a delectable foreign accent as the Queen who never quite knows what's going on. The Episodes are as follows: THE FORETELLING: In which Edmund kills the King, becomes a Prince, accidently saves a traitor and dons the title of the Black Adder. The groundwork for the series is laid out in the best possible manner, and in ten minutes you know exactly what you're in for. Peter Cook trods out his best Olivier impression as the ghostly Richard III. Unfortunetly, this is Atkinson at his most annoying. BORN TO BE KING: In which Edmund must deal with an arogant Scotsman and the dregs of Medieval entertainment. The series kicks into gear here with a hilarious script, featuring a side-spliting performance from The Jumping Jews of Jerusalem ("They Jump, my Lord. A Lot" says Percy, describing their act) and Brian Blessed at his most violent. Alex Norton scores points as the coarse Doogal McAngus, who takes every possible opertunity to humiliate the Black Adder, and Baldrick gets his first chance to fill out a dress when a beared lady shaves off her beard. THE ARCHBISHOP: in which the Archbishop of Canterbury is the most dangerous position in the land, and Edmund is the next canidate. Features Atkinson at his best while trying to convince a dying man Hell isn't such a bad place at all, and some hilarious Catholic-related sight-gags. Tony Robinson's crowning glory in the first Black Adder series is in this episode in a wonderfully-played routine where he hocks fake religious relics such as a Holy appendage variety pack (Featuring the noses of Jesus and Peter and the breasts of Joan of Arc). One of the best. THE QUEEN OF SPAIN'S BEARD: In which politically-profitable wedding Bells ring for Edmund and a gargantuan Spanish Princess, and he tries his damnest to get out of the marriage. The inspired pair of Miriam Margolyes and Jim Broadbent are at their best as the horny Infanta and her effeminate interpreter Don Speekengleesh, who impassionate translates such phrases as "I want to enfold you in my broad thighs" to hilarious effect. Atkinson does wonderful work here, including a prize-winning double take when he meets his bride-to-be. THE WITCHSMELLER PERSUVIANT: In which the plauge is blamed on Witchcraft, and Edmund and Company find themselves on the wrong end of a witch trial. This episode features a highlight of the series in Frank Finlay. Watch him happily chewing away the scenery as the titular Witch hunter, barking out words like "Grumbledook" and "Beelzebubbles" with glee as he accuses Edmund and his pets of Witchcraft on clearly manufactured evidence that everyone believes. The sequence in which he condems Edmund's horse is especially funny. Watch for a cameo by British stage and screen regular Louise Gold as a screaming woman at the beginning of the episode. One of the best of the series. THE BLACK SEAL: In which Edmund, desperate to get the throne, gathers a band of seven of the most evil men in England and the tale of the Black Adder comes to a suitably violent (and hilarious) end. Rik Mayall shows up uncredited as the delightful whack-job Mad Gerald, and Edmund's evil band provide plenty of laughs. Atkinson finally gets a chance to use the strongest weapon in his comic arsenal in this episode: withering insults. When he dismisses Percy from his services, Edmund unleashes a series of put-downs in the manner born, a trait that would become synonimus with the name Blackadder. A fitting end to a side-splitingly funny if uneven series.
This was strange..... August 10, 2007 Joe Mac Guy (USA) 0 out of 5 found this review helpful
I am not sure what to make of this series. If it was supposed to be humor and have satire comedy in it, I don't get it.
Black Adder, Black Adder, you horrid little man July 15, 2007 E. A Solinas (MD USA) 4 out of 4 found this review helpful
Who knew the War of the Roses was so funny? Or at least, the first season of "Black Adder" was, as it chronicled an erased era in English history, and the life story of the slimiest, creepiest, least impressive prince ever. Rowan Atkinson brings the legendary Black Adder to life, with plenty of slapstick and bawdy humour -- too bad it doesn't quite measure up to its sequel series. On the day of the Battle of Bosworth Field, the Duke of York (Brian Blessed) and his son Harry (Robert East) accompanied the king (Peter Cook) into battle. His second son Edmund (Atkinson) hopes to come along, but he oversleeps. The battle is practically over when he arrives, but he succeeds in beheading a knight who tried to take his horse. Unfortunately, it was the king. His friends Baldrick (Tony Robinson) and Lord Percy Percy (Tim McInnerny) help him cover it up, and to Edmund's delight, his father is made king. He dubs himself the "Black Adder" and decides to one day become king of England... too bad nobody likes him, and the ghost of the late king has decided to play some mind games with him. But being the Duke of Edinburgh has its own problems. Edmund soon has to deal with a Scottish laird getting his lands, being made the endangered Archbishop of Canterbury, an engagement to an unattractive Infanta, and being accused of witchcraft. Finally, when all his titles but Lord Warden of the Royal Privies are seized, he decides to usurp the throne himself... but unfortunately gets into the grasp of the evillest men in England on the way. "Black Adder" is in some ways the least polished of the series, since the whole idea is pretty new here. But it's a unique sitcom, and handled with the sort of wonky zaniness that the setting demands ("Why, some people over there aren't fighting! They're just lying down!" "They're dead, my lord"). And while the first episode is a bit jumpy, it quickly gains humorous momentum. Lots of hilarious dialogue ("Dear Enemy, may the Lord hate you and all your kind. May you turn orange in hue, and may your head fall off at an awkward moment") and knotted-up storylines, such as Blackadder doing whatever it takes to avoid marrying the Infanta, or selling fake relics as the Archbishop. Of course, things always go horribly wrong, and the more Edmund attempts, the more disastrous things turn out for him. The last episode is a glorious mixture of Greek Tragedy, Shakespearean history and madcap comedy with some blood and gore, as well as a hilariously ironic final line. Atkinson is pretty perfect as the slimy, sniveling, creepy, cowardly, inept, whiny-voiced Edmund, who repulses almost everyone around him with both his appearance and personality. Absolutely sterling. Robinson and McInnerny are equally good as his grubby servant and birdbrained pal, and Brian Blessed is wonderfully bombastic as Richard IV. The first "Black Adder" series is not the funniest of the overall series, but it is a hilarious, crazily funny little comedy series that just gets better as it goes on.
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