 |  |
| table width=100% cellspacing=0 cellpadding=3 border=0
tr
td bgcolor=#FFFFFFdiv class=titlefont color=#333333More Info /font/div/td
/tr
tr
td bgcolor=#FFFFFFtable cellspacing=0 cellpadding=2 border=0
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/news.phpNews/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/biography.phpBiography/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/roles.phpRoles/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/interviews.phpInterviews/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/photogallery.phpPhotos/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=http://rowanatkinson.org/videos/index.php?option=com_frontpageItemid=1Videos/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/links.phpLinks/a/td
/tr
tr valign=top
td style=font-size: smaller; class=title#149;/td
td style=font-size: smaller; class=titlea href=/uk/contactus.phpContact Us /a/td
/tr
/table/td
/tr
/table |
|
 |
|  | | script type=text/javascript!--
google_ad_client = pub-7120633133907657;
google_ad_width = 728;
google_ad_height = 90;
google_ad_format = 728x90_as;
google_ad_type = text;
google_ad_channel =5636112618;
google_color_border = FFFFFF;
google_color_bg = FFFFFF;
google_color_link = 6A8BCC;
google_color_text = 000000;
google_color_url = 626262;
//--/script
script type=text/javascript
src=http://pagead2.googlesyndication.com/pagead/show_ads.js
/scriptbrbr |
|
|
| The Killing Fields [1984] | ![The Killing Fields [1984]](http://ecx.images-amazon.com/images/I/415SW76QHYL._SL160_.jpg)
enlarge | Director: Roland Joffe Actors: Sam Waterston, Haing S. Ngor, John Malkovich, Julian Sands, Craig T. Nelson Studio: Universal Pictures UK Category: DVD
List Price: £15.99 Buy New: £4.98 You Save: £11.01 (69%)
Buy New/Used/Collectible from £3.19
Avg. Customer Rating:   (8 reviews) Sales Rank: 19789
Format: Pal Language: English (Original Language) Rating: Suitable for 15 years and over Media: DVD Running Time: 136 minutes Number Of Items: 1 Discs: 1 Aspect Ratio: 1.33:1 Shipping Weight (lbs): 0.2 Dimensions (in): 7.1 x 5.4 x 0.6
UPC: 044007805923 EAN: 0044007805923 ASIN: B00004YA8X
Release Date: January 1, 2001 Theatrical Release Date: November 2, 1984 Availability: Usually dispatched within 1-2 business days
|
| Similar Items:
|
| Editorial Reviews:
Amazon.co.uk Review This harrowing but rewarding 1984 drama concerns the real-life relationship between New York Times reporter Sidney Schanberg and his Cambodian assistant Dith Pran (Haing S. Ngor), the latter left at the mercy of the Khmer Rouge after Schanberg--who chose to stay after American evacuation but was booted out--failed to get him safe passage. Filmmaker Roland Joffe, previously a documentarist, made his feature debut with this account of Dith's rocky survival in the ensuing madness of the Khmer Rouge's genocidal campaign. The script of iThe Killing Fields/i spends some time with Schanberg's feelings of guilt after the fact, but most of the movie is a shattering re-creation of hell on Earth. The late Haing S. Ngor--a real-life doctor who had never acted before and who lived through the events depicted by Joffe--is outstanding, and he won a Best Supporting Actor Oscar. Oscars also went to cinematographer Chris Menges and editor Jim Clark. I--Tom Keogh/I
|
| Customer Reviews: Read 3 more reviews...
  A real lesson from history March 5, 2007 1 out of 1 found this review helpful
This is a beautifully made, moving film depicting the harsh regime of the Khmer Rouge communist revolutionaries in 1970's Cambodia. The film focuses on the real-life relationship between Cambodian Dith Pran and American journalist Sidney Schanberg. The acting is superb, particularly from Dr. Haing S Ngor who played the part of Dith Pran and who did himself survive the Killing Fields.br /In my opinion, it is necessary to have a background knowledge of the political events during this time (eg. the Cambodian government being overthrown by the Khmer Rouge and the subsequent evacuation of the cities) as without this, the film may be confusing in parts. However, this DVD does helpfully give the viewer the option to choose a brief historical recounting of the events of this time, and I would definitely recommend selecting this before watching the movie.br /
  "The crime that is thinking too much about the past" February 8, 2005 9 out of 12 found this review helpful
Apparently this film was cut by American censors to remove images of the Vietnamese providing aid to Cambodian refugees after they overthrew the Khmer Rouge. If true, it fits well into the film's depiction of a global power, claiming and then abandoning a country for the sake of its own political ends.brThe film falls into two parts. The first is in pre-year 0 Cambodia, during a war betwwen royalist and Khmer Rouge forces that is driven into febrile excess by American bombing runs. This part of the film creates a feeling of a country sliding into the abyss and shows how thin a veneer civilization is. The second part of the film is set post-year 0, when the Khmer Rouge have assumed control of the country. Here there is no sense of inescapable descent - we have gone down as far as we can into a living hell.brIn the first half we follow Sidney Schanberg and his colleague Dith Pran as they cover the war. Then Pran refuses the air-lift to remain in the country as the Khmer Rouge close in. He is trapped, despite the efforts of his friends to aid his escape. He remains behind as they are expelled. The second part has Schanberg back in America conducting a letter writing campaign to find his friend. However, the bulk of the second half involves Pran in Cambodia attempting to escape into Vietnam.brThe film is not for the faint-hearted: the first half is unsettling in its depiction of chaos breaking loose and the second half contains some nightmarish imagery (especially Pran's discovery of the eponymous 'killing fields'). However, it is a mature and well-produced film that has a strong, compassionate core and seems to fit the times we live in as much as it fitted the times when it was first released.
  A remakable testimount to a real life friendship January 1, 2003 12 out of 14 found this review helpful
'Now is the year 0 and everything must start anew... I am full of fear Sydney, I must have no past, this is the year 0 and nothing has gone before' pThese are the words spoken by Dith Pran as images of the unspeakable horrors of the Cambodian revolution fill the screen. The Killing Fields is a film that leaves a lasting emotional impression. pIt portrays the real life friendship between NY Times correspondent Sydney Schomberg (Sam Waterson) and his Cambodian interpreter Dith Pran (Haing Ngor). The film depicts events stretching over a seven-year period, from the 1973 American bombing of Neak Luang village, to the Khmer Rouge takeover in 1975, and their eventual fall following the 1978 Vietnamese invasion. With such a difficult and disturbing subject matter and a complex timeframe the film could easily have floundered. Instead it succeeds because it filters these events through the eyes of two men, which bestows it with a real interpretive power. brIt is superficially similar to Salvador directed by Oliver Stone. Both films critique the negative consequences of American military involvement in poor war-torn countries by depicting the work of journalists. However, inspite of the fact that the guilt of Schomberg at leaving his friend to suffer in Cambodia is intended to mirror the wider American involvement and subsequent neglect of that country (portrayed in one powerful scene), the content is never as bluntly political. It is very much more a personal account, and whilst the images shock, they are naturalistic in style and never as over-blown as in Salvador. The performances are very strong and full of integrity. Particularly moving is Ngor, whose Oscar winning portrayal of Dith Pran struggling to survive the brutality of the Khmer Rouge regime is drawn from his own personal experience as a survivor of the atrocities. This film draws attention to one of the most regrettable chapters in recent history, and that in itself is valuable. However, perhaps its most remarkable achievement is to demonstrate in an extremely moving account the resilience of the human spirit in the face of despair.
  The story of all storys December 8, 2002 6 out of 8 found this review helpful
I was 22 when I first saw this film I was glad that I saw it alone. I was living with my parents in a loving family in Renfrewshire, Scotland although reasonably educated, was rather oblivious to the horrors that really went on in our worlds past. By the end of the film I was in tears as the story unfolded, but not in misery, just in the joy that after the failures of the military politicians in america cambodia, Sidney Schanberg kept on looking for his dear friend Dith Pran not knowing what might become of him. A film of endurance of what might be, when the heart has the will to endure the fight ahead, even though the consequences may be great. I didn't realise until the end that this was a true story it makes all the difference when you realise the struggle Dith Pran, a New York Times Photogropher Cambodia itself went thru at the hands of the Khmer Rouge were to take, would have such a dramatic outcome. When the Red Cross are all that can save them, we are treated to a truly delightfull outcome to what was a terrible area of the worlds forgotten past. A past that the west has forgotten although the wake of it is still in our midst.
  Unsurpassed October 20, 2002 3 out of 3 found this review helpful
The Killing Fields is probably my favorite film of all time. I find it difficult to describe this film; most of the words I can think of seem to do it a gross injustice. I think 'enjoyable' might not be a word I would choose simply because its portrayal of life under the Khmer Rouge is so unbelievably harrowing. It's certainly upsetting and even unpleasant. Even so, it is without a doubt the most fulfilling and worthwhile film I've ever seen.pThe whole thing builds up to the final scene which, although very short and simple, can't fail to wrench at your heart. I last saw it many years ago and it brings tears to my eyes just to think of it - no kidding. If you're a bit girlie, you'll need some tissues on standby. If you're a big tough guy, you'll have to ask your girl for some !
|
|
| br| script type=text/javascript!--
google_ad_client = pub-7120633133907657;
google_ad_width = 728;
google_ad_height = 90;
google_ad_format = 728x90_as;
google_ad_type = text;
google_ad_channel =5636112618;
google_color_border = FFFFFF;
google_color_bg = FFFFFF;
google_color_link = 6A8BCC;
google_color_text = 000000;
google_color_url = 626262;
//--/script
script type=text/javascript
src=http://pagead2.googlesyndication.com/pagead/show_ads.js
/scriptbrbr |
|
|
|  | |