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| The Untouchables [1987] | ![The Untouchables [1987]](http://ecx.images-amazon.com/images/I/517KH844CBL._SL160_.jpg)
 enlarge | Director: Brian De Palma
Actors: Kevin Costner, Sean Connery, Robert De Niro, Charles Martin Smith, Andy Garcia
Studio: Paramount Home Entertainment
Category: DVD
List Price: £15.99
Buy Used: £1.11
You Save: £14.88 (93%)
Buy New/Used from £1.11
Avg. Customer Rating:  (45 reviews)
Sales Rank: 18499
Format: Dubbed, Pal, Widescreen
Languages: Arabic (Subtitled), Bulgarian (Subtitled), Czech (Subtitled), Danish (Subtitled), Dutch (Subtitled), English (Subtitled), Finnish (Subtitled), German (Subtitled), Hungarian (Subtitled), Icelandic (Subtitled), Norwegian (Subtitled), Polish (Subtitled), Romanian (Subtitled), Swedish (Subtitled), Turkish (Subtitled), English (Original Language), German (Dubbed)
Rating: Suitable for 15 years and over
Media: DVD
Running Time: 115 minutes
Number Of Items: 1
Discs: 1
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5014437806536
ASIN: B000059H1Y
Release Date: June 4, 2001
Theatrical Release Date: June 3, 1987
Availability: Usually dispatched within 1-2 business days
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Amazon.co.uk Review
As noted critic Pauline Kael wrote, the 1987 box-office hit IThe Untouchables/I is "like an attempt to visualise the public's collective dream of Chicago gangsters". In other words, this lavish reworking of the vintage TV series is a rousing pot-boiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the film pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper Caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia) and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment and the train-station shootout partially modelled after the "Odessa steps" sequences of the Russian classic IBattleship Potemkin/I. It's thrilling stuff, fuelled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the film gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, IThe Untouchables/I may very well strike you as a classic. --IJeff Shannon, Amazon.com/I
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| Customer Reviews: Read 40 more reviews...
 Not up to all the hype. January 4, 2009
I can't understand all the praise for this film.Now I am a big fan of hard hitting American crime movies like Goodfellas,Mean Streets,Casino,American Gangster etc,but this one failed to move me.The music was intrusive and not ''of the time'',some of the outdoor sets looked like cardboard,and the main players were all stereotypes.Sean Connery as the old tired Irish cop mumbled his way through the film with a strange mid Atlantic Celtic(Scottish or Irish??) accent,and the guy who played the accountant just had to have a big pipe to smoke to scream NERD.Even he becomes a hero in the ambush at the Canadian border where they all miraculously turned in to expert horsemen.br /All too obvious.And those silly episodes at Ness's home with his perfect American wife,the note in his sandwich box, and litte blonde kid made me reach for the sick bag.Too many of these in a lot of US films. If it was a boy there would have been Daddy/Kid baseball catching in the backyard.Ugh.br /Even De Niro who I love in gangster roles,didn't convince me as Capone.br /Ultimately dissapointing.Was it a serious film,a comedy film, or a parody?
 Excellent and fast delivery October 23, 2008
Always wanted to buy this but had second thoughts about the price,bought this along with The Prestige and Equilibrium as part of the 3 for 10 offer.br /Speedy delivery and great value for money!
 We can never forget the absolute vanity of the cause October 22, 2008
0 out of 1 found this review helpful
The film came long after the 1960s series and it was able to improve the discourse a lot from pure police and gangster violence and counter violence and counter counter violence to some kind of calmer and sounder vision of prohibition. The least we can say is the whole case was absurd. Absurd because prohibition was an idiotic policy and in 1931 it was on the very verge of being abrogated, nullified and voided. Absurd because they could never get Al Capone for his crimes since he never did anything himself but only through and via other people. Absurd because even tax evasion was nearly derailed by bribes to the members of the jury, to the judge probably and many other people. But it is also true that this famous case managed to make gangsters and the mafia think twice and start moving to legal operations for their own gangs and abandoning illegal operations to the street gangs, those they did not even try to control. It was also before the time of street gangs, mainly held and controlled by the Blacks and the Latinos, which was supposed to happen after WW2 with heroin and cocaine. The film here shows how fragile and brittle the police is when confronted to that crime. Apart from shooting first they have little moral certainty to hold in front of heavy corruption and hefty bribes. The film shows how these battle are necessarily in public places and they become some kinds of street war and there have to be collateral victims in the public. This is emphasized by the pram and baby scene, a scene borrowed from Eisenstein and transposed in that context with great art, though the meaning is a lot triter than Eisenstein's. On the Soviet side a baby in the middle of a real war act from the political power in place against some demonstrators who have to be eliminated by bleeding them to death. On the US side a baby in the middle of two shooting camps transforming a central station into a shooting gallery with cops on one side and criminals on the other. And what's more in a battle that will come to an end incessantly by political decision. The law was on the side of criminal absurdity. In Eisenstein the law was on the side of anti-historical repression. And in front of the law Eisenstein had romantic revolutionaries who will eventually win a few years later whereas the Untouchables had a band of criminal gangsters whose business was to make money by illegally importing and selling alcohol. In fact the whole value is in the punch line. Roosevelt has won and prohibition is out, what will you do Mr. Ness? I guess I'll get a drink. That's just the point. A battle that should never have come up if the bad policy that brought it up had not been adopted by a bunch of bigots.br /br /Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne University Versailles Saint Quentin en Yvelinesbr /
"That's the Chicago Way!" September 30, 2008
Brian De Palma's depiction of Probition-era Chicago is a masterpiece of modern film-making, with Eliot Ness (Kevin Costner) and Al Capone (Robert De Niro) fighting it out for control of the city. Malone (played by Sean Connery) is a cop who teaches Ness how to get the seemingly "untouchable" mob boss, and the film (with dramatic and often violent scenes) chronicles the demise of the legendary gangster. Sean Connery received an Oscar (Best Supporting Actor) for his efforts, which is testament to the quality of this picture.
Brilliantly Made, But Not A Classic September 1, 2008
I watched this film for the first time today, oblivious as to what it was about and only interested in it because of the rave reviews I'd heard. Well, it definatley wasn't what I ewas expecting, but it was very good none the less. Set in the 1930s when alchohol was illegal in the US, Al Capone is the Crime Lord trading the stuff for masses of money, and Eliot Ness, the federal Agent who is determined to bring him down. I wasn't particularly blown away by any of the acting, I guess Kevin Costner as Eliot Ness is worth a mention, but although each character played their part well none of them stood out or really made the character their own. What does deserve a mention however is the style in which the Untouchables was filmed - lots of weird camera angles and shots, lots of dramatic music, all building up suspense, tension, fear, excitement, sadness, etc. The viewer gets sucked into this film, as long as they have the patience to sit through the first 30 or so minutes until it gets really interesting. br /br /A good film, very well made, but not one I'd be quick to recommend to friends or want to watch again in a hurry. Watch, but don't expect to be blown away.
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