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| Brazil [1985] | ![Brazil [1985]](http://ecx.images-amazon.com/images/I/5147W528NBL._SL160_.jpg)
 enlarge | Director: Terry Gilliam
Actors: Jonathan Pryce, Kim Greist, Robert De Niro, Katherine Helmond, Ian Holm
Studio: 20th Century Fox Home Entertainment
Category: DVD
List Price: £15.99
Buy New: £4.00
You Save: £11.99 (75%)
Buy New/Used from £4.00
Avg. Customer Rating:  (38 reviews)
Sales Rank: 2497
Format: Anamorphic, Pal, Widescreen
Languages: Danish (Subtitled), Finnish (Subtitled), Norwegian (Subtitled), Swedish (Subtitled), English (Original Language)
Rating: Suitable for 15 years and over
Media: DVD
Running Time: 137 minutes
Number Of Items: 1
Discs: 1
Aspect Ratio: 1.78:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5039036011891
ASIN: B00008WQ62
Release Date: May 19, 2003
Theatrical Release Date: December 18, 1985
Availability: Usually dispatched within 1-2 business days
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| Editorial Reviews:
Amazon.co.uk Review
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, IBrazil/I was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's IThe Trial/I (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous IMetamorphosis/I insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr.Buttle, as suspected terrorist Harry Tuttle (Robert DeNiro). When Sam becomes enmeshed in unravelling this bureaucratic glitch, he himself winds up labelled as a miscreant.p The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. I--Jim Emerson/I
Amazon.co.uk Review
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--IBrazil/I is the sort of outrageously dystopian satire one could easily imagine him making. In fact it was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam captures the paranoid-subversive spirit of Kafka's IThe Trial/I (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek government clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. It's not a software bug but a real bug (no doubt related to Kafka's famous IMetamorphosis/I insect) that gets squashed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic tangle, he himself winds up labelled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --IJim Emerson/I p BOn the DVD:/B IBrazil/I comes to DVD in a welcome anamorphic print of the full director's cut--here running some 136 minutes. Disappointingly the only extra feature is the 30-minute making-of documentary "What Is Brazil?", which consists of on-set and behind-the-scenes interviews. There's nothing about the film's controversial release history (covered so comprehensively on the North American Criterion Collection release), nor is Gilliam's illuminating, irreverent directorial commentary anywhere to be found. The only other extra here is the ubiquitous theatrical trailer. A welcome release of a real classic, then, but something of a missed opportunity. --IMark Walker/I
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| Customer Reviews: Read 33 more reviews...
 Some will like this, I didn't November 1, 2008
1 out of 1 found this review helpful
Fans of Gilliam will find much to keep them happy here. There's nightmarish, dystopian imagery in spades, dream sequences are lavish and the finale is really quite masterful.br /br /The problem however, lies in the rest of the film. The humour kept me interested for about the first 30-45 minutes, after which it starts to wear a little thin. The same can be said about the plot - it starts out snappily enough but becomes seemingly endless in the latter half of the film. Logical ending points give rise to yet further story development and at over 2 hours in length, it became quite a slog to get through. Lastly, the characterisation just didn't work for me. Not sure if it was the acting, the script, or both but I didn't care too much for any of the characters, something that made it even harder to remain engaged with the film.br /br /In conclusion, I think this film could have done with a good deal of editing - the final scenes are memorable, but getting there is fairly forgettable. 2.5/5
 In short. June 20, 2008
1 out of 3 found this review helpful
Genius.br /br /Don't know what films you one-starers saw or what world you live in.
A True Classic March 16, 2008
1 out of 2 found this review helpful
More than 20 years after I first saw this film I still like it, which is not the same as saying that I entirely enjoy watching it. There are particular scenes I can always vividly recall, Robert DeNiro's subversive plumber character swooping off into the night, and later on vanishing in a swirl of wind-blown newspaper. These things are always a matter of taste, and to my taste this is a 5-star film.
 don't waste 137mins of your life on this! February 10, 2008
4 out of 19 found this review helpful
I tried to watch the movie until the end, really I did. But when my other half thought revising was more interesting than eating candy watching this film, what more can I say, it was rubbish!br /br /It just seems to spin off into the writers mind far too much with no real direction at times, so much so you can FF through whole scenes not actually loose any of the story line.br /br /At the end rather than thinking at least I can say "I've watched it", I was left feeling, "why did I bother" and "I'll never admit to watching it".
Hilarious and horrifying January 15, 2008
1 out of 2 found this review helpful
Put simply this brilliant flim is a Monty Python take on 1984. In fact this is an example of how inventive flims can be outside the restraints of genre. The entertaning and twisty plot is set in a world as well realised as any sci-fi. The bleak story of how Jonathan Pryce's everyman character is destroyed by his romantic fantasies is balanced nicely by the dry, black humour you would expect of a former Python.
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