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| Afterglow [1998] (REGION 1) (NTSC) | ![Afterglow [1998] (REGION 1) (NTSC)](http://ecx.images-amazon.com/images/I/519BSN5VYTL._SL160_.jpg)
 enlarge | Director: Alan Rudolph
Actors: Nick Nolte, Julie Christie, Lara Flynn Boyle, Jonny Lee Miller, Jay Underwood
Studio: Columbia TriStar
Category: DVD
Buy New: £19.95
Buy New/Used from £10.24
Sales Rank: 132613
Format: Anamorphic, Closed-captioned, Colour, Dolby, Dvd-video, Ntsc, Widescreen
Language: English (Original Language)
Media: DVD
Running Time: 119 minutes
Number Of Items: 1
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.5 x 0.5
MPN: 08560
ISBN: 0767889053
UPC: 043396085602
EAN: 9780767889056
ASIN: B0000BXMZ1
Release Date: October 14, 2003
Theatrical Release Date: December 26, 1997
Availability: Usually dispatched within 1-2 business days
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| Editorial Reviews:
Amazon.co.uk Review
Alan Rudolph's dry comedy of sad characters, IAfterglow/I, touted for its Oscar-nominated performance by Julie Christie, is a solid entry for fans of Rudolph's IChoose Me/I and ILove at Large/I. First we meet the amorous Mr Fix-it, aptly named Lucky Mann (Nick Nolte). Lucky is a big teddy bear who finds joy in construction and womanising. This arrangement seems to be fine with his longtime wife Phyllis (Christie), an ex-B-movie actress who acts as if much of her life is still a bad movie. Lucky's latest client is a young housewife (Lara Flynn Boyle) who also has a muddle of a marriage: Marianne swoons for Lucky's attention, because her husband, Jeffrey (Jonny Lee Miller), has energy for his high-rise business career but little else. Soon Jeffrey espies sad and stunning Phyllis and is on the prowl, unaware that she is Lucky's wife. Many filmmakers have made statements about the rarity of monogamy but Rudolph is one of the few who finds so much strength in fooling around. He has deep, long answers to why his characters are the way there are, and this leads to scenes that actors relish, even if they don't ring true. Certainly Christie has not had a part this juicy in years, and Nolte, warm and energetic, simply shines. Miller, usually the young ruffian in films such as ITrainspotting/I, gives an intriguing slant to a stuffed shirt. Rudolph has never reached the complexity or the mastery of his mentor Robert Altman, but he has created his own niche: the comedy of characters usually found in urban dramas. There are laughs in this movie that you simply won't find in the typical Hollywood comedy. Like Altman, he proves that being an independent voice is not about the methods of filmmaking, it's about talent. --IDoug Thomas, Amazon.com/I
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