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| The 80s Movie Club - For Tough Guys - Platoon/Raging Bull/Rain Man/Die Hard/Terminator | 
 enlarge | Artists: Robert De Niro, Tom Cruise, Bruce Willis, Arnold Schwarzenegger
Directors: Oliver Stone, Martin Scorsese, Barry Levinson, John Mctiernan, James Cameron
Actors: Charlie Sheen, Robert De Niro, Tom Cruise, Dustin Hoffman, Bruce Willis
Studio: 20th Century Fox Home Entertainment
Category: DVD
List Price: £34.99
Buy New: £9.98
You Save: £25.01 (71%)
Buy New from £9.98
Sales Rank: 35427
Format: Box Set, Black White, Colour, Pal
Rating: Suitable for 18 years and over
Media: DVD
Running Time: 596 minutes
Number Of Items: 5
Shipping Weight (lbs): 0.8
Dimensions (in): 5.6 x 5.5 x 5.4
EAN: 5039036035484
ASIN: B000TQLJGO
Release Date: October 1, 2007
Availability: Usually dispatched within 1-2 business days
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| Editorial Reviews:
Amazon.co.uk Review
Winning a raft of awards, not least of which were four Oscars, including Best Picture and Best Director, Oliver Stone's iPlatoon/i was a box-office smash heralding Hollywood's second wave of Vietnam war films. iPlatoon/i simply showed the daily reality of the war from the point of view of ordinary soldiers and Stone's own service in Vietnam gives his work a unique authenticity. Charlie Sheen gives his best performance to date, enduring a series of increasingly large-scale and bloody battles but against this gruelling verity the film falters over the symbolic conflict between good and evil sergeants played by Willem Dafoe and Tom Berenger. Even though this was also based in real life, it strikes a too conventionally Hollywood-like note in a film which otherwise maintains much of the raw power of Stone's other film from 1986, iSalvador/i. Stone would return to Vietnam with the more sophisticated iBorn on the Fourth of July/i and iHeaven and Earth/i.p/p The high-point in the long fruitful partnership of Martin Scorsese and Robert De Niro, and widely reckoned one of the finest films of the 1980s, iRaging Bull/i still looks like a contender. Based on the ghosted autobiography of 1940s boxing champion Jake La Motta, it's the most searing, intense and often painful to watch of Scorsese's explorations into the nature of masculinity and macho values. The rise of La Motta, the taut, cocky young fighting machine from the Bronx, is bookended by the scenes in which, as a paunchy, bloated has-been 20 years later, he's reduced to acting out self-pitying monologues in a tawdry Manhattan nightclub. Making their starring debuts, Joe Pesci (as La Motta's long-suffering brother and manager), and Cathy Moriarty as his delicate-featured, abused child-wife, both grab their opportunities with both hands. But the film's dominated from the outset by De Niro's tour de force performance as the brutal, hair-triggered La Motta, viciously lashing out at the world in self-destructive fury. iRaging Bull/i was nominated for eight Oscars and picked up two, one for De Niro, and one for Thelma Schoonmaker's editing. p/p iRain Man/i is the kind of touching drama that Oscars are made for--and, sure enough, the film took Academy honours for best picture, director, screenplay, and actor (Dustin Hoffman) in 1988. Hoffman plays Raymond, an autistic savant whose late father has left him $3 million in a trust. This gets the attention of his materialistic younger brother, a hot-shot LA car dealer named Charlie (Tom Cruise) who wasn't even aware of Raymond's existence until he read his estranged father's will. Charlie picks up Raymond and takes him on a cross-country journey that becomes a voyage of discovery for Charlie, and, perhaps, for Raymond, too. iRain Man/i will either captivate you or irritate you (Raymond's sputtering of repetitious phrases is enough to drive anyone crazy), but it is obviously a labour of love for those involved. Hoffman had been attached to the film for many years, as various directors and writers came and went, but his persistence eventually paid off--kind of like Raymond in Las Vegas. Look for director Barry Levinson in a cameo as a psychiatrist near the end of the film. i--Jim Emerson/ip/p This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In iDie Hard/i, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. This film is exceptionally well directed by John McTiernan. i--Tom Keogh/ip/p iThe Terminator/i was the film that cemented Arnold Schwarzenegger's place in the action-brawn firmament, and both his and the movie's subsequent iconic status are well deserved. He's chilling as the futuristic cyborg that kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and are all the more chillingly effective for it. But don't overlook the contribution of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor, thus creating--along with Sigourney Weaver in Alien--a new generation of rugged, clear-thinking female action stars. The film's minimalist, malevolent violence is actually scarier than that of its far more expensive, more effects-laden sequel. --Anne Hurley, Amazon.com
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